
I’m not going to lie. I was a little bit nervous about seeing the Toronto production of Spring Awakening with my mother last Thursday night.
I knew there was sexual content, but that in itself didn’t deter me. It was
this page on Spring Awakening’s website that got me a little nervous.
This page on which parents express what a great conversation-starter the play is to discuss important issues with their adolescent.
If my mom tried to have the sex talk with me at the age of 24, I think I might’ve shit.
Thankfully the elderly couples seated in front of us were the only ones who squirmed at the little bit of T and little bit of A that graced the stage.
Both my mom and I agreed, Spring Awakening is one quality production.
The musical is based on the controversial 1891 German play of the same title by Frank Wedekind. Set in 1890s Germany, it tells the stories of a group of angst-ridden teens exploring their sexuality and daring to break free from the repressive shackles of their parents and teachers.
Led by the smart and rebellious Melchior, the characters deal with sex, suicide, abortion, masturbation, and homosexuality. Yay!
The result is like an entire season of Degrassi crammed into a two-hour stage production, with music written by Duncan Shiek.
I was thoroughly impressed with how effortlessly this young cast pulled off their roles. This wasn’t like that Jerry Springer
bullshit. These kids are talented! When they sang, I listened. When they danced, I wanted to join them. When they emoted, I felt it.
Matt Doyle stepped into the lead role of Melchior at the last minute, after Kyle Riabko abandoned ship one week before the curtain rose to shoot an ABC pilot. Doyle had understudied the role of Melchior in the Broadway production, and joined the Toronto run to save the day.
(Bonus trivia fact: Doyle also plays Jonathan, Eric’s boyfriend on Gossip Girl! He's also dreamy, and 21, so I'm allowed to say that).
The rest of the young cast also brings varied stage and screen credits. Perhaps most notable to Canadians is the casting of 2006 Canadian Idol contestant Steffi D in the role of Ilse.
Essential among this cast of young'uns were Angela Reed and Henry Stram, who played "adult women" and "adult men," respectively. Taking on a number of parental and disciplinarian roles throughout the play, they provided occasional comic relief while serving as antagonistic forces spurring the adolescents' action along.
The music and choreography largely served as the characters' inner monologues throughout the show, without feeling overwrought or excessive. The female cast floated across the stage gracefully, while the male cast exuded energy in their movement. My favourite bits of choreography saw the cast contorting their arms around their bodies to reflect their emotion, sensuality, and inner turmoil
Naturally, my favourite song was
Totally Fucked, a number in act two through which the cast expresses what we all feel every once in a while.
And therein lies the accessible appeal of Spring Awakening. As my mom pointed out on the subway post-show, even adolescents singing and dancing in 1890s Germany face the same issues as teens today.
Thankfully she arrived at her TTC stop before we could really get into the sex talk.
Spring Awakening is playing at Toronto's Canon theatre through April 19. Run -- don't walk! -- to see it.